Reflections from an Audience Member
Dr. Güneş Ege talks about discovering Marlboro as a student in 1956 and her experiences at the Festival over more than half a century.
Violinist and scholar Philipp Naegele—one of the first young musicians to participate at the Marlboro—reflects on a Marlboro landmark.
The Value of Time at Marlboro
Marlboro “is a reminder that sometimes playing music doesn’t have to be about an end goal… sometimes the exploration and the love of the music itself is point enough.”
Marlboro at Sixty
Guarneri Quartet violinist Arnold Steinhardt reflects on six decades at Marlboro.
Musicians at Play
A strong family spirit permeates Marlboro and envelopes all who attend.
The Glorious Strings: Galimir, Schneider, Casals
Reflections on Felix Galimir, Alexander Schneider and Pablo Casals.
The Beethoven Choral Fantasy at Marlboro
In the vast communal memory of highlights at Marlboro, one work almost always enters into conversation.
A First Timer’s Impression of Marlboro
“Everything at Marlboro is modest, not grand or showy, and that modesty, I sense, is an inward, spiritual quality as much as a physical one.”