Newly composed music has always been an integral part of the repertoire at Marlboro, where participants can select a wide range of contemporary works to explore with the luxury of abundant rehearsal time. With the guidance of Leon Kirchner, starting in the early 1960s, a resident composers program was established that opened new worlds for generations of young artists who have gone on to become leaders in all areas of music.
Meet Our 2019 Composer-in-Residence
“”What makes [Widmann] so irresistible is the hefty dose of sheer joy in what he does: the pleasure of vital, visceral musicality that promises to bind together classical music of the past and present – and forge a way into the future.” —The Guardian
Clarinetist, composer and conductor Jörg Widmann returns to Marlboro after a previous residency in 2008. One of the most versatile and intriguing artists of his generation, the Munich-born Widmann is acclaimed for chamber music works including a cycle of five string quartets and, most recently, a new quintet for clarinet and string quartet that Widmann premiered with the Hagen Quartet in January 2018. He has been composer-in-residence of the Deutsches Symphonie-Orchester Berlin, the Cleveland Orchestra, the Salzburg Festival, the Lucerne Festival, the Cologne Philharmonic Orchestra, and the Vienna Konzerthaus. For more information on Jörg Widmann, please visit his website.
“Whoever encounters the music of Jörg Widmann for the first time is astonished at its directness and intensity. Not infrequently, the music breaks like a raging torrent over the listener: it is excessive in its effervescent virtuosity or its infinite sadness.” —Markus Fein
Marlboro Music Composers-in-Residence (1993-2018)
Though composers have been present at Marlboro since its inception, including Co-Founder Adolf Busch, Leon Kirchner established a formal residency program in the 1960s. Through the decades, the program underwent several changes, to be revitalized again in 1993. The following list includes the names and resident years of composers since then as well as links to the performance history of their works at Marlboro.